Showing posts with label DECOR. Show all posts
Showing posts with label DECOR. Show all posts

Jaime Hayon at Masion & Objet.





One of the many interesting things I saw at Masion&Objet in early September was the Jaime Hayon exhibit "Moving Ideas". It was a glimpse into his creative process - from work-in-progress sketches to prototypes from first projects and recently unveiled pieces. Experimental, eccentric and quite extraordinary. 

More here. Images from here. (Cameras strictly verboten so no images of my own.)

French letters.









No, not condoms. Type. 

I keep seeing reclaimed typography emblazoned on walls in restaurants, for sale in decor shops and at the market - and even in BHV. Seems to be another trend that's staying firmly put. No surprise that this is one I really like.

Cabinet of curiosity.




I think it was in Standard 6 biology class that we were required to do an entomology project. This entailed seeking out (chasing dementedly after) specific specimens, effectively euthanising them and mounting them on board complete with latin names smartly lettered. I'm sure you can imagine the squeals of disgust that resulted from the pitting of teenage girls against various insect life. But we became ruthless in the pursuit of good grades and driving that pin through the abdomen of whatever poor butterfly or beetle we had caught was ultimately done with glee.

Until one horrid experience that is etched in my brain. I awoke in my dormitory cubicle (yes, a product of boarding school) early one morning to the sound of desperate scratching. Lying in the pitch dark, I was terrified. Eventually forced to switch on the lights and investigate, I discovered one large butterfly that had 'woken' and was unsuccessfully attempting to fly away. Skewered through it's middle it wasn't going anywhere but the scratching sound had been the result of the wings scraping against it's polystyrene bed. Appalled, I quickly grabbed the bottle of acetone and doused the poor thing - effectively ruining my project (have you seen what nail polish remover does when it comes into contact with polystyrene?) but fortunately ending the life of the damned thing by drowning rather than anesthesia. 

Why the protracted childhood recollection? Well, I'm not a fan of insects. Not in a oooh-scream-I'm-such-a-girl way, just in the sense that I'd rather we didn't share the same space if at all possible. And I'm not much a fan of animals, either ("cold-hearted-bitch" I can hear you saying, so I won't even attempt to explain myself).

Perhaps it was then surprising that after reading about Deyrolle, the absolute 'cabinet of curiosity' in Paris, I was keen to visit. Or perhaps unsurprising as being specialists in the collection of insects, shells and animals of all kinds since 1831 they are a darn sight better at the art of death than I had been.



Above images Deyrolle.

I think the shop on Rue de Bac has been housed in the same building since 1888. It has a rich history in not only entomology and zoology but botany, geography and human anatomy. It was visited by artists the likes of Salvador Dali and André Breton in their time. The unassuming first floor houses books, fragrances, garden tools and garden accessories of beautiful quality. It's all natural fibres and stainless steel flower pots costing €100. Aptly named Le Prince Jardiner.



Above images Deyrolle.

It's on the second floor that the taxidermy is revealed. From a polar bear to a mole - they've a collection enviable only by Noah. And then there are the insects. Quite an astonishing collection. But most of all I liked the posters. The House of Deyrolle was the first supplier of 'teaching boards' to the State Education Department since 1866 and even today supports teaching and sustainable development. Their posters are a collection of beautifully illustrated vintage teaching aides from botanicals to anatomy.



Above images Laurent Bochet.

One of the most interesting books on display was "1000ºC". It's the photographic story of a fire that devastated Deyrolle in February 2008. Representing the fragile state of nature, photographs of the charred remains of taxidermy animals as well as sculpture, drawings, paintings and other works of art done by over 50 artisits were auctioned by Christie's to help raise funds for the restoration. And the restoration was painstaking taking almost two years and paying close attention to refit the space as it was previously.





Above images Objet de Curiosité. One of the decor houses I spotted at Masion&Objet.

The art of taxidermy and entymology seem to have shed their grisly reputation (for a while wasn't it just serial killers in movies that collected insects?) Nowadays I can't stop seeing it's use in interior decor. I particularly noted a lot of it at Masion&Objet yesterday. A well placed skull or box-framed collection of some rare beetle from Thailand with a long latin name seems to hint at owners with a natural curiosity and a taste for the exotic and unusual. A display of a fossilised giant Clam must hint that you're an explorer - even if it was chosen out of a catalog and delivered by UPS?

It's not that I'm not a fan of this aesthetic, it's just that it can seem a little 'faked'. I'm not advising that you shoot the deer that you then get stuffed and mount on the wall, I'm just suggesting that unless you actually bought that beetle collection in Thailand or have the story to tell of how you unearthed that gem of a starfish specimen at an antiques market then perhaps you're slightly less qualified to display it. I admire real collectors, and feel privileged to be introduced to their collections as they are usually accompanied by rich stories.

But that's just me, what do I know? I can't even kill a butterfly successfully.

CeraMIX


CeraMIX by CTRLZAK.

The above pieces are the result of a project exploring Chinese and European ceramics. On the left hand side you can see the literal East meets West - and on the right hand side the new ceramic design that resulted.

I can't decide whether I'd prefer to use the 'inspiration' crockery or the end design... I guess the latter would be more leak-proof!

Gloss.

Slick meets natural. Wood stools by Judith Seng. Seen here.
Images Jamie Kopke.

What colour is your front door?



Last weekend DH and I repainted our front door. 'Green Fog' above from Plascon. The swatch above doesn't really do it justice. It's a sage-like green that complements the 'broken white' walls.  A classic combination chosen for it's simple, inoffensive nature and hopefully enhanced by the lavender bushes in the garden. 

What colour is your front door? Statement red? Chic black? Greige? (love that word) or have you chosen the 'safe' route, like me?

Top image VtWonen moodboards, bottom image Plascon.

Bedroom for a belle.



My gorgeous niece, Nell, has very clever parents. The latest issue of Elle Decoration features the beautiful bedroom that they put together for her. This lucky girl couldn't ask for a more creative, happy place in which to play and sleep. You can see more over at the Elle Deco blog and a bit more about the shelves designed by her artist dad below.
The stencil used on her bedroom wall is also available for download on their site.

More tea with Liesel Trautman



A few weeks ago I posted about Liesel Trautman and her beautiful ceramics. I promised a follow up....

Please tell us a little about your background.... how did you find your niche in ceramics?
I studied textile design, learning about beautiful old things that are all around us just waiting to be noticed. Life drawing, botanical drawing and ornamentation were some of the subjects taught to us.
So when I started working with clay about five years ago learning about its qualities and thinking that I could make a vessel according to my own aesthetic values, completely functional and virtually indestructible (metal rusts, wood decays, but ceramic does not get broken down by any natural process) I became very excited. I went for lessons and read books on ceramics. The technique most suited to achieving the fine hand drawn quality that I use most is called "inlay."



I love the transformation that happens in the material. It completely changes from a soft malleable grey or brown to a hard white shiny functional, material. Like alchemy.
I realise it's a stock-standard question but could you share what inspires your work?
Everything and anything, I am an image junky, always on the look out. I am also a collector, love going to markets and antique shops. I work with anything I find beautiful. I allow it to inspire me, swirl it around inside of me and then see how it flows out. Sometimes even I am surprised.

You can look at things differently; squinting your eyes, blurring the lines and then drawing these new shapes. It's all about doing something that is particular to ones own sense of taste and style. This is what we as individuals own and should respect in ourselves and others.
Growing up in Holland has also played a role in what I find beautiful. One of my inspirations comes from this time, when as a child I used to do cross stitch - something I still enjoy today.
Do you ever feel stuck in a creative rut - if so, how do you overcome it?

In the past, I have sometimes knocked my head against the wall of what I thought creativity to be. Now I find that it's just about doing the right thing, for you - when this happens, there is a very special and gentle flow.
I believe that we are all creative even when we don't think so. Just let go of doing things that don't come naturally. We all have our own very special talents.
Yes, I have struggled to find what it is that I really should be doing, and at the moment everything just works out and I love it.
Since working with clay I have not really experienced a creative rut. There is so much still to do (a learning curve of 80 years!)

I'd love to know more about your process. How do you go about conceptualising a new design? What are the steps you take in making the objects that you do?
I walk in the forest for inspiration. The open spaces give me the place to think and the little paths allow me to weave my thinking process of how I will be making this new thing. Step by step, I go through it and solve the technical hitches I might experience, and then when I get to the studio, it seems easy.


Mistakes are another way of letting the process flow, new ways of how to work become evident just through doing. Clay has taught me to bounce back quickly when it goes wrong, as it so easily does.
My general process would be sourcing inspiration, drawing it and then making it.
Tell us a little more about the babies we've heard you are making?
The ceramic babies are a huge technical challenge and I have really enjoyed this aspect as I like doing difficult things. I love the little fat, rounded arms and fingers and toes. (What biological clock? I have hit the snooze.. )


And everybody has a story when they see one, about themselves or their mothers or their aunts. It brings back their childhood, but mine are the adult version. We are all just playing .


Do you have a most cherished piece that you've created?
I find it difficult to come up with one item. I am lucky to be working with everything I love, so I love what I make and hope this comes through in my work.

I notice you have a red, blue, black and grey range - can we expect any other colours?
The colours I work in are traditionally strong. I love blue and red together. My limited palette is also what keeps my work coherent. New colours... who knows... wait and see.



Finally, often creative people struggle to find balance between work and play (one can so often be the other) what do you do to be more balanced?
My work is play.
Balance - none what so ever. I do like to walk in the forest and would like to take up tight rope walking in the future.

I love the way that Liesel describes her work. I've always considered ceramics so delicate. When I heard they way she described them as virtually indestructible it brought back a childhood memory of discovering different patterned shards of broken ceramic at the bottom of our garden. Aside from being in pieces they were the most beautifully preserved objects that I would save as my precious treasures. I'm sure you'll agree that it has been lovely to find out more about a talent behind these particular precious treasures. Thank you, Liesel - and good luck with the tight rope!

You can contact Liesel on +27732759494 or visit her studio/shop at 114 Lower Main Road, Observatory, Cape Town.

A meal without wine...

We had both sunshine and wine this past weekend. Hope yours was good.
Above tea towel one of the new collection at the Keep Calm Gallery.

I love you more than sleep.



Quite a statement. I love to sleep...
Wall sticker by Robert Ryan. Seen at VtWonen.

Tea for two.





Tea for two and two for tea,
Me for you and you for me.

Two tiny lemon tarts, pastel coloured mini macaroons, pretty crockery and my camera. 
Cassis Paris (website under construction) is a newly opened little patisserie in my neighborhood. Tea time never was so pretty.

Cameos





I came across these cameo tea cups a while ago on this site. They reminded me of how much I love(d) silhouettes. I sought out the above illustrations of DH and I. I've been meaning to have them nicely printed for ages and am now on the hunt for a pair of oval frames... not that easy to find. And yes, unfortunately my nose is really that 'roman'  :)
 

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